Tuesday, November 21, 2017

All Too Human: Bacon, Freud and a Century of Painting Life


Tate Britain
28 February – 27 August 2018






Lucian Freud, Sleeping by the Lion Carpet 1996




Lucian Freud Sleeping by the Lion Carpet 1996. Private Collection / © The Lucian Freud Archive / Bridgeman Images. Image courtesy Acquavella Galleries
A landmark exhibition at Tate Britain next year will celebrate how artists have captured the intense experience of life in paint. All Too Human: Bacon, Freud and a Century of Painting Life will showcase around 100 works by some of the most celebrated modern British artists, with Lucian Freud and Francis Bacon at its heart. It will reveal how their art captures personal and immediate experiences and events, distilling raw sensations through their use of paint, as Freud said: ‘I want the paint to work as flesh does’. Bringing together major works by Walter Sickert, Stanley Spencer, Michael Andrews, Frank Auerbach, R.B. Kitaj, Leon Kossoff, Paula Rego, Jenny Saville, Lynette Yiadom-Boakye and many others, this exhibition will make poignant connections across generations of artists and tell an expanded story of figurative painting in the 20th century.
Groups of major and rarely seen works by Lucian Freud and Francis Bacon will give visitors a chance to immerse themselves in the rich sensuality and intimacy of these two modern masters. Key paintings spanning Freud’s career will explore his studio as both context and subject of his work and will show how his unflinchingly honest depictions of models became more sculptural and visceral over time, in works such as Frank Auerbach 1975-6 and Sleeping by the Lion Carpet 1996. In contrast to Freud’s practice of working from life, the exhibition will look at Bacon’s relationship with photographer John Deakin, whose portraits of friends and lovers were often the starting point for Bacon’s work, including Portrait of Isabel Rawsthorne 1966. Earlier works by Bacon like Study after Velazquez 1950 will be shown alongside a sculpture by Giacometti, both artists having explored the enduring presence of isolated figures.
Looking to earlier generations, the exhibition will show how this spirit in painting had been pursued by artists like Walter Sickert and Chaïm Soutine – key precedents for portraying an intimate, subjective and tangible reality. The teaching of William Coldstream at the Slade School of Fine Art and David Bomberg at the Borough Polytechnic also proved hugely influential. Employing Freud as a fellow tutor, Coldstream encouraged the likes of Michael Andrews and Euan Uglow to fix the visible world on canvas through intense observation, while Bomberg’s vision led students like Frank Auerbach, Leon Kossoff and Dorothy Mead to pursue a more tactile, embodied experience of life. This generation’s work encompassed a wide variety of subjects, from Auerbach’s and Kossoff’s enduring fascination with London’s streets and public spaces to F.N. Souza’s spiritual and symbolic figures, and from Coldstream’s and Freud’s focus on the body in isolation to Michael Andrews’s and R.B. Kitaj’s interest in group scenes and storytelling.
The exhibition will also shed light on the role of women artists in the traditionally male-dominated field of figurative painting. Paula Rego explores the condition of women in society and the roles they play over the course of their lives, while always referring to autobiographical events, as in The Family 1988. Her work underwent a particularly profound change in the late 1980s and 1990s when she returned to working from life. The exhibition will also celebrate a younger generation of painters who continue to pursue the tangible reality of life in their work. Contemporary artists like Cecily Brown, Celia Paul, Jenny Saville and Lynette Yiadom-Boakye work in dialogue with this tradition while also taking the painting of figures in new directions.


Bacon portrait of Freud to be shown for the first time since 1965





Francis Bacon, Study for Portrait of Lucian Freud 1964

Francis Bacon Study for Portrait of Lucian Freud 1964. The Lewis Collection © The Estate of Francis Bacon. All rights reserved. DACS, London. Photo: Prudence Cuming Associates Ltd
A large-scale painting by Francis Bacon of his friend Lucian Freud is to be shown in Tate Britain’s landmark exhibition All Too Human in February 2018. The work was only seen in public shortly after it was completed – firstly in London in 1964 and then in Hamburg and Stockholm in 1965. It has since remained in private hands and has not been exhibited for over half a century.

Bacon and Freud had a deep and complex friendship, and were often viewed as artistic rivals. They first met in the mid-1940s and were inseparable for years, seeing each other almost daily in Soho’s bars and clubs as well as visiting each other’s studios and occasionally sitting for portraits. The portrait that will be shown at Tate Britain next year is an angst-ridden image of the human figure, bare chested and curled into the corner of a dark room beneath a single lightbulb. The painting stands over six feet high and was originally part of a triptych which Bacon then split into separate works. It was first unveiled in 1964 at the group exhibition Aspects of XX Century Art held at Bacon’s gallery Marlborough Fine Art. It then travelled from the Kunstverein Hamburg to the Moderna Museet in Stockholm over the following year as part of a solo show of Bacon’s work, but has not been seen in public since.

The work will be one of several key Bacon paintings on loan to Tate Britain for the exhibition All Too Human. These will include an important portrait of Bacon’s lover Peter Lacy made in 1962, the year of Lacey’s death, and not seen in the UK since. It shows him seated with a scowling expression and is the first time Bacon portrayed the nude body with its internal organs on display, seemingly bursting through the surface of its skin. An extraordinary Bacon triptych from 1974-77, on loan from a private collection, will also be exhibited for the first time in a UK public gallery in over 30 years. A final homage to George Dyer, the great love of Bacon’s life, it shows a contorted body beneath a black umbrella on a cold stretch of beach.

Alex Farquharson, Director, Tate Britain said:
This will be an unmissable opportunity to see some truly extraordinary paintings, many of which have not been seen for decades. With this exhibition we want to show how British figurative painters found new and powerful ways to capture life on canvas throughout the 20th century, and Bacon’s portraits are some of the greatest examples of that endeavour.

All Too Human: Bacon, Freud and a Century of Painting Life is curated at Tate Britain by Elena Crippa, Curator, Modern and Contemporary British Art, and Laura Castagnini, Assistant Curator.


It will be accompanied by a fully illustrated catalogue and a programme of talks and events in the gallery. The exhibitions will tour to the Museum of Fine Arts, Budapest later in 2018.

Alberto Giacometti - Woman of Venice IX.jpg


Alberto Giacometti,
1901-1966
Woman of Venice IX
1956
Bronze
1130 x 165 x 346 mm , Tate

 Chaim Soutine - Landscape at Ceret.jpg

Chaïm Soutine, 1893-
1943
Landscape at Céret
c.1920-1
Oil paint on canvas
559 x 838 mm , Tate

 David Bomberg - The Artist's Wife and Baby.jpg

David Bomberg
The Artist's Wife and Baby
1937
Oil paint on canvas
766 x 562 mm , Tate: Presented by Dinora Davies-Rees, the artist's
step-daughter, and her daughter Juliet Lamont through the Contemporary
Art Society 1986 © Tate

 FN Souza - Two Saints in a Landscape.jpg

F.N. Souza 1924-
2002
Two Saints in a Landscape
1961
Acrylic paint on canvas
1283 x 959 mm , Tate
© The estate of F.N. Souza

 Frank Auerbach - Primrose Hill.jpg

Frank Auerbach, born 1931
Primrose Hill
1967-8
Oil paint on board
1219 x 1467 mm , Tate
© Frank Auerbach






Francis Bacon - Portrait of Isabel Rawsthorne.jpg

Francis Bacon - Portrait of Isabel Rawsthorne

 ID 001 - Walter Sickert - Nuit d'Été.jpg

Walter Richard Sickert -
1860-1942
Nuit d'Été
c.1906
Oil paint on canvas
500 x 400 mm
Private Collection, Ivor Braka Ltd

 ID 094 - Michael Andrews - Colony Room I.jpg

Michael Andrews, 1928-1995
Colony Room I
1962
Oil paint on board
1219 x 1827 mm
Pallant House Gallery, Chichester (Wilson Gift throu
gh The Art Fund, 2006)
©The Estate of Michael Andrews, courtesy of James Hyman Gallery, London.

ID 120 - Paula Rego - The Family.jpg

Paula Rego, born 1935
The Family
1988
Acrylic on canvas backed paper
2134 x 2134 mm
Marlborough International Fine Art
© Paula Rego

 Leon Kossoff - Children's Swimming Pool, Autumn Afternoon.jpg

Leon Kossoff, born 1926
Children's Swimming Pool, Autumn Afternoon
1971
Oil paint on board
1680 x 2140 x 56 mm , Tate
© Leon Kossoff

Lucian Freud - Girl With Dog.jpg

Lucian Freud, 1922-2011
Girl with a White Dog
1950-1
Oil paint on canvas
762 x 1016 mm , Tate © Tate 




 Michael Andrews - Melanie and Me Swimming.jpg

Michael Andrews 1928-1995
Melanie and Me Swimming
1978-9
Acrylic paint on canvas
1955 x 1959 x 77 mm , Tate
© The estate of Michael Andrews

 RB Kitaj - The Wedding.jpg

R.B. Kitaj 1932-
2007
The Wedding
1989-93
Oil paint on canvas
1829 x 1829 mm , Tate
© The estate of R. B. Kitaj